Saturday, 13 February 2010

Rainier and Wedding Music (rough.)

It was their first dance and everybody cried. Everyone. Really.
The room was all champaigne and candles and aftershave and
a circle in the middle where one of the handful of couples I’ve
ever seen that no one had reservations about slow-stepped
into eachother and began the waltz. Perfect wedding eye-contact.
not a dry eye.

Writing alone and in public is an invitation. For interruption,
unwantedconversation. At the bar at a place that’s fast becoming
a “haunt” I liveunswayed by schedule or finances, get another.
I’ve not been writing long, they aren’t busy and this is a thought
to finish. Plus, I haven’t been interrupted yet.

I’ve been involved in executing—at some level—a fair
number of Weddings. Dj, best man, usher, something.
Ritual is important but always better when the Bride and
Groom are Having Fun Up There. The nervous pre-vow clap.
The blush-and-giggle. The spontaneous high-five.
Good food at the reception, if not an open bar.

The bartender isn’t interested that his music choice
triggered these memories, or what I’m writing, or that
I write, or if he is, that’s the wrong assumption to make.
Still, bringing it up is part of the ritual. I have still
avoided interruption, but take thoughtful pauses as I consider more.
Rainier is not a slow sipper.

What makes a great wedding song? Believability. That
the couple has reached into what they think of love
and pulled something out together, both rare and welcome.
That if they can find the right song, perhaps they
just might be ready for anything.

These are unexpected thoughts, ponderances, not plans.
I’ve long stopped making assumptions. Things I work out on paper
but never read as I ease into new haunts. Bartender wipes the
counter down with the absent vigor of one who’s been at this for years.
I lift my glass in deference without even thinking.

this is a few drafts away from anywhere close to "finished" or "let's read this out somewhere" so I'm welcoming comment.

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