1) The last few months have been a lot of gigs I've had my hand in making happen, behind the scenes, stuff like that. From the fairly large-scale greenwood litcrawl to the more frequent, but much cozier claustrophobia series, there's been a lot of collaborative planning. as such-- and because I'm currently wrangling the last bits of knowledge from filthy jerry and all things before trying to put myself out there much-- I've almost felt I'd fallen out off practice at just showing up, throwing down and leaving.
Fortunately, August has had a couple readings I've felt pretty solid about. Yes, this is the part where I post setlists and "reflect." If hearing what pieces I read, where and with whom, isn't your bag, there's a part 2 and 3 to this post that you can skip to.
August 3rd, I co-featured with Dave Wheeler and Kate Farrell in the aforementioned Kate's backyard in the Central District. We read in a round, around a fire until it got dark. The general "it" and the fire.
My set: Unacceptable but Inevitable*/Isolation Therapy/All Things Return to the Dusty Liquor Shelf
Ambition is Critical/Little Fear of Drowning/Missing Every Day
Civic Duty/Several Snapshots*/Genus, Species and Flavour
This was the first time I'd ever read while seated and it felt natural and right. I think that speaks to the success of the casual/artsy vibe, a vibe that too often falters under its own expectations.
A couple nights ago I opened for Scumeating at The Josephine, a DIY spot in Ballard, next to a bad irish bar and down the street from the Tin Hat, which it is good I don't leave nearby, because I would be there with unhealthy frequency. I did two sets, on either side of Scumeating's performance, ended on my knees, shouting a half-adlibbed ending to Filthy Jerry Gets Paid. If there were video, it probably wouldn't be as awesome as I wished.
Set: Filthy Jerry Sleeps with the Fishes/2012/Tall Drink of Water/Genus, Species and Flavour
Filthy Jerry Gets Paid
Sometimes I wonder why I do readings at venues that are at best, ambivalent toward spoketryword, but some good friends came out and I also am getting back into finding that sort of ambivalence energizing and facepunchy, instead of shoulder-slumpy.
2) The new Aesop Rock album:
It's good. Feels more isolated than his last record, as he's the only rapper and while there are hooks, there are fewer Singles than the last record had (which was still like, three? four, if you're generous?)
All the jokes I want to make, leaving
a new Comic Book movie
with my Dad
are a bit to arch for him,
a bit too newb
for a true believer.
The in-car cd player
The cranes over downtown spark in sunset.
There is no media I can use to improve my standing.