the Zine Archive and Publishing Project is moving out of the Richard Hugo House. This is huge. For near-on ten years now, that's been a goal of ZAPP's, at times a casual, "wouldn't it be nice", at others a more pressing concern, but due to a variety of issues, resets, and general struggle I won't get into here (but may later) it hasn't happened til now.
This. Is. Huge.
It is not overestimating it to say that ZAPP has likely been the most important of places in my re-entry into Seattle. In 2009 I started volunteering weekly, while I was still living in Stanwood, working hanging Christmas Lights, at ZAPP's open hours. In 2010 I accepted an internship writing PR (which went through Hugo House) and helping co-ordinate volunteers. This culminated in my Internship Show, Jesus Christ Made Seattle Under Protest, which re-sparked my interest in visual art (an interest that goes through it's own series of languishes and resets.) Many of the new, lasting friendships, artistic collaborations and I've made have been through ZAPP-- I met Bryan Edenfield, without whom there'd be no book of Filthy Jerry Poems at ZAPP. I was in a writer's group with him, Rainey Warren, and Emily Wittenhagen the latter of whom gave me a job at the Hugo House Bar, which in turn helped me to get my foot in the door in Seattle's bar scene (From the OTHER side of the bar. please.) It's where I met Lindsey Tibbot, who'd go on to marry David Stone (both of whom put me up when a spot I was going to live fell through at the last minute.)If you factor in that employment as an outgrowth of ZAPP, I also met Marty, Brian McGuigan, Paul Nelson and many others not-too-indirectly, through ZAPP.
I'm super stoked to be reading at their Release Party. I'd say more but the Library is closing.