So, let's be generous with our linkage. I recently got four of my pieces posted up at Wonder And Risk:
http://wonderandrisk.com/where-it-really-feels-like-a-city-and-three-more-poems-by-graham-isaac/
I really like what that they're doing over at WAR; bridging coverage of comedy, performance art, poetry, indie sports (pencil fighting? bike polo? what-have-you. there's a "poetry and sports" section), and theatre in a way that makes a lot of intuitive sense, but doesn't get done that often. at least not around here.
Also! Stoked to have received a Director's Scholarship to this year's Litfuse: http://www.litfuse.us/
Now I just have to figure out how to get there, where to stay in Tieton, stuff like that.
Likewise, in case you missed it, you can still listen to an interview that Steve Barker did with Bryan Edenfield and I at OM: http://ordinarymadness.org/?p=442
We were fascinating.
And as always, support Babel Salvage or buy Filthy Jerry's Guide to Parking Lots here: http://babelsalvage.com/
Showing posts with label poetry submissions. Show all posts
Showing posts with label poetry submissions. Show all posts
Thursday, 1 August 2013
Tuesday, 2 August 2011
dongtan-hwaesong-suwon-seoul
humidity. the rain is part of the humidity. they aren't separate elements. the bus is underwater. schoolgirls giggle like schoolgirls at the athletes, the soccer players, the tennis instructors, imported from the united states. the run of water. the flow of traffic. diverted into. the disparate looks at a nation that refuses to be submerged. seoul burned, they tell me, it wasn't so tall then, but we rebuilt it. five teenage boys in a war memorial, making jokes at the simulated shooting experience. rushing soldiers overhead in stone. this is what the guns are here for, the 3-d movie and video games, to absorb the weight of jokes and float above them. we try to live peaceful now, but always watch.they remember macarthur. the minibikes speed quick between buses. outside faces condense with a thin film, like what we wrap our beef and sprouts in, this is japanese food, before, it was mongolian. fusion. shoes piled by the door, signs in english and korean and japanese survive bombs and land wars and taste like fusion.
___________________________________________
submitted to Hoarse, so may take it down in a bit, if they choose this and not the other, more ridiculous thing I sent them.
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submitted to Hoarse, so may take it down in a bit, if they choose this and not the other, more ridiculous thing I sent them.
Saturday, 31 July 2010
Brielle thinks I should submit to "poetry magazine."
. . . still working up to that.
just submitted a shitload (about 9 pages worth) of poems to the Northwest Playwrites Alliance first annual poetry contest. I did a reading with them in May and it went well; subsequently Bryan encouraged me to submit.
I sent a mix of Swansea Morning highlights (Ambition, Genus, Little Red Corvette) and newer stuff (That Bar You Like, Lake City, Spiderland.)
will be finishing up an edit of Penderyn Smooth to send to the Burnside Review for their "whisky issue." and send some to kate and jennifer for filter.
these are as much reminders as updates.
just submitted a shitload (about 9 pages worth) of poems to the Northwest Playwrites Alliance first annual poetry contest. I did a reading with them in May and it went well; subsequently Bryan encouraged me to submit.
I sent a mix of Swansea Morning highlights (Ambition, Genus, Little Red Corvette) and newer stuff (That Bar You Like, Lake City, Spiderland.)
will be finishing up an edit of Penderyn Smooth to send to the Burnside Review for their "whisky issue." and send some to kate and jennifer for filter.
these are as much reminders as updates.
Wednesday, 19 March 2008
Something for the weekend
So I just sent out, via e-mail five poems for submission to a new Swansea poetry magazine that's yet to put out it's first issue. I'm crossing my fingers.
I sent out: Communion 2: Repetetive Motion Sickness
Ellie
82p
"I Can See My House From Here"
Rugby '08
This is probably the most diverse batch of submissions I've sent out; usually I send a bunch of fairly similar in "type" poems, often shorter, less rambly stuff. But "communion 2" is probably the longest thing I've written since coming here (and a slightly more philosophical sequel to my arguably most (in?)'famous' piece) and "ellie" is a standard-length prosey reminiscence on a crush, while Rugby '08 and "I can see my house. . ." are both shorter, quieter, more "poetic" pieces and 82p doesn't contain a full sentence throughout (maybe a first for me.)
I record this largely for my own records as I don't have anything to write on right now-- I know: fired!-- and I want to avoid double-submissions. I've still got a few out to Roundyhouse and the Cardiff International Poetry Competition.
* * * * * *
today for breakfast I had a Brains SA. I will doubtlessly use that as an anecdote in the future to try to convey a sense of badassness that is probably inaccurate. This afternoon I'm heading to Cardiff to see Ida Maria sing. It's a trip organized by Dave Beer and Roy Williams based on the fact that while the songs are good and the voice is pretty, the woman herself surpasses both so obviously we should go see her perform live.
Then friday I take a trip up to Banbury to see Kamarie Chapman and her roving band of theatrical performers. I'll stay up there a few days, come back to Swansea listening to the IPOD Doprav gave me that still has his music on it (I've been really into Life's Rich Paegant and The Collected Works of Billy Bragg and, er, Green Day) and possibly write more poems that involve travelling or being in Wales and historical/debatable "Welshness". . . yes, I'll pimp my current situation for relevance and publishability.
don't judge me.
I sent out: Communion 2: Repetetive Motion Sickness
Ellie
82p
"I Can See My House From Here"
Rugby '08
This is probably the most diverse batch of submissions I've sent out; usually I send a bunch of fairly similar in "type" poems, often shorter, less rambly stuff. But "communion 2" is probably the longest thing I've written since coming here (and a slightly more philosophical sequel to my arguably most (in?)'famous' piece) and "ellie" is a standard-length prosey reminiscence on a crush, while Rugby '08 and "I can see my house. . ." are both shorter, quieter, more "poetic" pieces and 82p doesn't contain a full sentence throughout (maybe a first for me.)
I record this largely for my own records as I don't have anything to write on right now-- I know: fired!-- and I want to avoid double-submissions. I've still got a few out to Roundyhouse and the Cardiff International Poetry Competition.
* * * * * *
today for breakfast I had a Brains SA. I will doubtlessly use that as an anecdote in the future to try to convey a sense of badassness that is probably inaccurate. This afternoon I'm heading to Cardiff to see Ida Maria sing. It's a trip organized by Dave Beer and Roy Williams based on the fact that while the songs are good and the voice is pretty, the woman herself surpasses both so obviously we should go see her perform live.
Then friday I take a trip up to Banbury to see Kamarie Chapman and her roving band of theatrical performers. I'll stay up there a few days, come back to Swansea listening to the IPOD Doprav gave me that still has his music on it (I've been really into Life's Rich Paegant and The Collected Works of Billy Bragg and, er, Green Day) and possibly write more poems that involve travelling or being in Wales and historical/debatable "Welshness". . . yes, I'll pimp my current situation for relevance and publishability.
don't judge me.
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