for Natalie
A neutral bar-- enough; one might quarrel with the bartender's tattoos
but who can argue with pizza? Don't know exactly what I was expecting
one year ago over pepperoni slices, except that you were
hotter in person and your voice warmer than any bio-interests belied.
Those sparkler moments when interest went from idle to active--
your "because if you can, why not?" over a trip to Scotland to watch
a band with a sentence long name, the romance lighting, the way
when we decamped to the last and only journalist dive in town
you said "yah, I'm not fancy, give me a well whiskey and a rainier."
The well at the Streamline is Old Crow. We learn, in time, this is our
low-end threshold, that it's worth a dollar or two more for
Beam or Jack when facing down Potters or McCormicks.
The Rainier remains steady, sometimes even without the whiskey.
Those first-date bars are out of our way, but haven't disappeared.
Pizza remains steady, sometimes even without pepperoni.
This morning I kissed you half sleeping, made breakfast,
left the last egg for you.
Showing posts with label girls. Show all posts
Showing posts with label girls. Show all posts
Thursday, 20 April 2017
Tuesday, 14 June 2011
To Fix the Gash In Your Head
Perpetual States
To be forever eating, to be forever drinking, never sated. What they said it would be like in hell (a variety of sources, don't ask me to be specific,) the vice of choice shoveling, battering, inundating. To be forever packing snowballs with no one to throw them at. To be forever pissing, never relieved (bad example: in the act itself there is relief)what they said hell would be like when they believed in it. Sometimes the bus is forever turning a corner and Jerry is always just missing his connector. At times like this the sky remains exactly the same as it was the moment before and pieces of bread fall from the old lady's hand to the pigeons (who eat the crumbs, this old lady is not in hell.) At times like this, and sometimes at other times, Jerry thinks of Joe Wenderoth, sitting in Wendy's, completely dazed on cough medicine and perpetually wanting to fuck the red, soft, wet
mouth of the girl at the register. How sore would you get, from shifting in your seat, due to that wanting, and what about those days when people think you terrible for disenjoying their picnic and being unthankful for your peeling sunburn? There are a few of us, and we are forever realizing we aren't alone.
I wrote these both in under 25 minutes at work. Or you could read James Burns' Largely Correct rant/take on Indie Rock in all it's linguistic meaninglessness. I quibble with some definitions, but I think the larger thrust of what he says is well stated and something I'd have written here but am lazy and hate writing about music a lot of the time.
Pinching, Pulling
Crabs running sideways in sunglasses make me hop quicker than a dance with "hop" in the title ever could. My girlfriend is hungover from wine and whisky after wandering the streets of Columbia City lost but nonplussed. Eventually the bar (there's always one of those) overcharged me for drinks and the man who makes a living playing guitar on cruise ships was talking to the off-duty bartender. It was like a dance. Or hop. The woman he will see later is in California, so it will be much later. I think the off-duty bartender's swooping dark hair has him convinced. Successfully, I guide my wandering girlfriend to her whisky-ginger, which is now mainly melted ice (I hadn't known about the earlier wine) and in low light I still drink IPAs like they were ales with half the strength (maybe why I always have a headache) and the on-duty bartender is reluctant to do anything at all. Half the walk home I had my fingers through blonde hair, staggery past fields of disused tires. This morning I was glad I can give directions and cook eggs, because if there'd been a pack of wild dogs, I doubt I'd have been able to fight them off.
To be forever eating, to be forever drinking, never sated. What they said it would be like in hell (a variety of sources, don't ask me to be specific,) the vice of choice shoveling, battering, inundating. To be forever packing snowballs with no one to throw them at. To be forever pissing, never relieved (bad example: in the act itself there is relief)what they said hell would be like when they believed in it. Sometimes the bus is forever turning a corner and Jerry is always just missing his connector. At times like this the sky remains exactly the same as it was the moment before and pieces of bread fall from the old lady's hand to the pigeons (who eat the crumbs, this old lady is not in hell.) At times like this, and sometimes at other times, Jerry thinks of Joe Wenderoth, sitting in Wendy's, completely dazed on cough medicine and perpetually wanting to fuck the red, soft, wet
mouth of the girl at the register. How sore would you get, from shifting in your seat, due to that wanting, and what about those days when people think you terrible for disenjoying their picnic and being unthankful for your peeling sunburn? There are a few of us, and we are forever realizing we aren't alone.
I wrote these both in under 25 minutes at work. Or you could read James Burns' Largely Correct rant/take on Indie Rock in all it's linguistic meaninglessness. I quibble with some definitions, but I think the larger thrust of what he says is well stated and something I'd have written here but am lazy and hate writing about music a lot of the time.
Pinching, Pulling
Crabs running sideways in sunglasses make me hop quicker than a dance with "hop" in the title ever could. My girlfriend is hungover from wine and whisky after wandering the streets of Columbia City lost but nonplussed. Eventually the bar (there's always one of those) overcharged me for drinks and the man who makes a living playing guitar on cruise ships was talking to the off-duty bartender. It was like a dance. Or hop. The woman he will see later is in California, so it will be much later. I think the off-duty bartender's swooping dark hair has him convinced. Successfully, I guide my wandering girlfriend to her whisky-ginger, which is now mainly melted ice (I hadn't known about the earlier wine) and in low light I still drink IPAs like they were ales with half the strength (maybe why I always have a headache) and the on-duty bartender is reluctant to do anything at all. Half the walk home I had my fingers through blonde hair, staggery past fields of disused tires. This morning I was glad I can give directions and cook eggs, because if there'd been a pack of wild dogs, I doubt I'd have been able to fight them off.
Wednesday, 24 November 2010
GOgoGogoGOgO
. . . once again, from the Heathrow airport. Heading in a different direction this time. Days 4,5,6,7 will be hastily documented and chronicled before I allow myself any other blog posts. I do not guarantee satisfaction. a really scandanavian hot woman just sat down across from me.
Monday, 21 September 2009
Faith in Women
"Maybe you're just supposed to be like C.S. Lewis, be this writer with all these insights into God. . . and um, lots of problems with women and alcohol."-- Bronwyn, on my prospects.
ladies and gentlemen, my sister, who also put AFI and Michael Jackson next to each other on a mix for me when she was 14.
ladies and gentlemen, my sister, who also put AFI and Michael Jackson next to each other on a mix for me when she was 14.
Monday, 14 September 2009
One (-is the loneliest?) (-21 Guns?)(-more time?)
{jake tucker, who makes promises he cannot keep, has, in the utmost hypocrisy, bugged ME to write something. yes. JAKE bugged ME. we won't speak of recent events, we will simply move forward with grace and style}
Mixtape Piece # 1 out of 734
Female voice through the speakers on a tuesday afternoon,
over sharp, loping guitars, a narrative style to kill for
laced with snarky affection
and I, sitting on my bed,
trying to eek out something on my
sketchpad, I think
"man, if a girl ever put this on a mix for me
well, that would be the day--"
then I remembered
I didn't make this mix, you did.
as the song ended
i realised this is possibly
as good as it gets.
Mixtape Piece # 1 out of 734
Female voice through the speakers on a tuesday afternoon,
over sharp, loping guitars, a narrative style to kill for
laced with snarky affection
and I, sitting on my bed,
trying to eek out something on my
sketchpad, I think
"man, if a girl ever put this on a mix for me
well, that would be the day--"
then I remembered
I didn't make this mix, you did.
as the song ended
i realised this is possibly
as good as it gets.
Tuesday, 10 March 2009
It's like the Awesome Nameless Summer Poetry Project, but will probably get a title soon. Part 1.
Today I got an e-mail from GPS with a contract and everything. Something about invoicing them. I've never "invoiced" anyone before; largely because I'm usually on the other end of that equation and because most of my dealings are with friends. This, however, is with a large, poetry-based corporation.
More on that later. With regards to the Other End of my cash-acquisition, I'm currently working on a new Chapbook to complete in time for a top-secret lock-in fundraiser at Lewis' band's practice space beginning of April.
Yeah, I know.
Something about a "top-secret fundraiser" sounds eight ways to dodgy, but still. . . I like reading in cramped, poorly lit spaces. If my words don't hit people, specks of saliva will.
So I'm currently going through a list of potential poems for this book. I want it to largely consist of pieces I've written (or heavily edited and completed) here in Swansea, I want it to have a strong Sense of Place, but I don't want it to read like a poetry-based laundry list of images and places; I find that heavily themed works get real stale real fast.
So. I've got a list of titles here, some with links to them, others you can easily find on this blog, others are yet unseen in online form and we'll let that stay the case.
First off, the Poems I Wrote Pre-Wales, that for whatever reason I Feel Strongly Enough About to consider including
Story Problem
Zombies and Paint Thinner
Dinner For One
Watching Films About Death
Little Red Corvette
Cavities
Caleb Barber Loses His Teeth to Meth
Everyone Has Something
Murder Ballads
Poems I've Written in Swansea, More or Less About Swansea or Places in It or about General 'Welshness'-->(*Marks one that needs a good bit of work)
Beneath the Cathedral
Paintings of Famous Satanists
Rugby '08
Rugby '09*
Rucksacks*
The Cafe Across From the Train Station
Glasgow Weather and Inappropriate Footwear
Carmarthen Train #1
Its What We Writers Do (For Jen)
Christmas Light Gallows*
Tall Drink of Water
Black Pudding*
Isolation Therapy
At the Chip Shop
Beck House D 3.1*
Ambition is Critical*
Swansea-Cardiff Blues (Bellngham Edition)*
Earl Grey
All My Friend Back Home (Start a band about this one)*
Tired Eyes
And These Are About Girls or Concepts or came from Ryan's prompts and aren't necessarily tied to Wales
Ellie
Donkey Kong Country
New Poem For Old Plasters
We Laughed at the Same Thing (M4W)
Clippers! Clippers! Clippers!
A Little Fear of Drowning
Flicking Ash
24th Ave, NE*
Cities that Exist in Movies*
Children Go Missing Every Day
Context and Subtext
Ways In Which Gloriana Flotsam McGrew Will Probably Die, Since It's Always So Fucking Glamourous With Her (addressed to the subject)
Pigeon Bait
Children Go Missing Every Day
Forward Thinking
Boyz*
Three Counts of Public Urination
Enough With the Cape Already*
Genus, Species and Flavour
I am the tired orphan*
yeah. So about 15-20 poems out of those. Plus a few that are very much in my head but not on paper yet. Some are shoe-ins, but it really depends what sort of thing I want to make and what purpose I want it to serve for me and how long. Which I'll talk about later. I've tagged a lot of places you can find some of the mentioned poems.
More on that later. With regards to the Other End of my cash-acquisition, I'm currently working on a new Chapbook to complete in time for a top-secret lock-in fundraiser at Lewis' band's practice space beginning of April.
Yeah, I know.
Something about a "top-secret fundraiser" sounds eight ways to dodgy, but still. . . I like reading in cramped, poorly lit spaces. If my words don't hit people, specks of saliva will.
So I'm currently going through a list of potential poems for this book. I want it to largely consist of pieces I've written (or heavily edited and completed) here in Swansea, I want it to have a strong Sense of Place, but I don't want it to read like a poetry-based laundry list of images and places; I find that heavily themed works get real stale real fast.
So. I've got a list of titles here, some with links to them, others you can easily find on this blog, others are yet unseen in online form and we'll let that stay the case.
First off, the Poems I Wrote Pre-Wales, that for whatever reason I Feel Strongly Enough About to consider including
Story Problem
Zombies and Paint Thinner
Dinner For One
Watching Films About Death
Little Red Corvette
Cavities
Caleb Barber Loses His Teeth to Meth
Everyone Has Something
Murder Ballads
Poems I've Written in Swansea, More or Less About Swansea or Places in It or about General 'Welshness'-->(*Marks one that needs a good bit of work)
Beneath the Cathedral
Paintings of Famous Satanists
Rugby '08
Rugby '09*
Rucksacks*
The Cafe Across From the Train Station
Glasgow Weather and Inappropriate Footwear
Carmarthen Train #1
Its What We Writers Do (For Jen)
Christmas Light Gallows*
Tall Drink of Water
Black Pudding*
Isolation Therapy
At the Chip Shop
Beck House D 3.1*
Ambition is Critical*
Swansea-Cardiff Blues (Bellngham Edition)*
Earl Grey
All My Friend Back Home (Start a band about this one)*
Tired Eyes
And These Are About Girls or Concepts or came from Ryan's prompts and aren't necessarily tied to Wales
Ellie
Donkey Kong Country
New Poem For Old Plasters
We Laughed at the Same Thing (M4W)
Clippers! Clippers! Clippers!
A Little Fear of Drowning
Flicking Ash
24th Ave, NE*
Cities that Exist in Movies*
Children Go Missing Every Day
Context and Subtext
Ways In Which Gloriana Flotsam McGrew Will Probably Die, Since It's Always So Fucking Glamourous With Her (addressed to the subject)
Pigeon Bait
Children Go Missing Every Day
Forward Thinking
Boyz*
Three Counts of Public Urination
Enough With the Cape Already*
Genus, Species and Flavour
I am the tired orphan*
yeah. So about 15-20 poems out of those. Plus a few that are very much in my head but not on paper yet. Some are shoe-ins, but it really depends what sort of thing I want to make and what purpose I want it to serve for me and how long. Which I'll talk about later. I've tagged a lot of places you can find some of the mentioned poems.
Friday, 6 February 2009
We Laughed at the Same Thing > M4W >(Thursday outside the Garage, after midnight)
the assignment was to write one in the style of a craigslist missed connection. this one is true, in a non-specific way.
Every time I get off work I think I’ve stopped with girls forever, I just notice the way the street is a sewer after 10pm in that bermuda triangle of chips and styrofoam where Sketty turns into Walter. I saw you by accident, a pleasant surprise in scene-profiling. There was the contrast between the twee scarf and the scuffed cons and you seemed vaguely capable of murder. Or charity work.
So. Definitely my type. . . and obviously you were smoking. You didn’t see me until the couple outside Mr. D’s started yelling at eachother, her an orange lizard in white mini-skirt, him a brick-built cliche, dropping his chips everywhere and never standing on both feet at once.
“Don’t ye fackin’ tells me that! Where was you! Where was you!?”
Outside the Garage where the rockers clustered you shook your head with a smirk. I was wearing the frame of a guy who would like to fall in love but couldn’t be bothered. And a wrinkled black shirt. You looked like every girl I’d ever kissed or wanted to fucked and made babies. And real good in a blue jacket. I’m the guy who laughed with you and tripped over the gum on the pavement on the way to somewhere else.
Every time I get off work I think I’ve stopped with girls forever, I just notice the way the street is a sewer after 10pm in that bermuda triangle of chips and styrofoam where Sketty turns into Walter. I saw you by accident, a pleasant surprise in scene-profiling. There was the contrast between the twee scarf and the scuffed cons and you seemed vaguely capable of murder. Or charity work.
So. Definitely my type. . . and obviously you were smoking. You didn’t see me until the couple outside Mr. D’s started yelling at eachother, her an orange lizard in white mini-skirt, him a brick-built cliche, dropping his chips everywhere and never standing on both feet at once.
“Don’t ye fackin’ tells me that! Where was you! Where was you!?”
Outside the Garage where the rockers clustered you shook your head with a smirk. I was wearing the frame of a guy who would like to fall in love but couldn’t be bothered. And a wrinkled black shirt. You looked like every girl I’d ever kissed or wanted to fucked and made babies. And real good in a blue jacket. I’m the guy who laughed with you and tripped over the gum on the pavement on the way to somewhere else.
Tuesday, 13 January 2009
There Goes Sickness: 10 Days in 2009.
January 1st.
Started the year off watching London Fireworks on TV at Annmarie and Roy's house. Not that impressed with fireworks or TV, so the obvious recourse was a 9/11 joke.
Later Roy and I made pizza and unholy mixtures of fake drinks while I quoted entire Future of the Left songs at passerbys.
The day itself was a long one; 7 1/2 hours of busy busy serving hungover and still-drunks their ham and egg cures. Beautiful.
January 2nd
Jen goes back to the states, leaving hordes of weeping men in her wake. I wave but do not cry because I know I'll see her again. Probably overstayed my welcome and Jess and Johns watching '80s Spiderman cartoons and bad music videos.
In Luv Wit A Stripper, Indeed.
January 3rd
Sat in Monkey and tried to write a poem for the New Year that was more than a few lines long. It's something anyway. Writer's block persists. Milk Money doesn't think my story about comics and sex is weird enough for their "weird issue."
Witnessing slow trickle of Seattlingham friends onto facebookspace in a weird internet-consolidation plan.
January 4th
First official writing commission of '09: Bio for the new Police Teeth record, which comes out in February and kicks ass. They promise to pay enough for a few more cans of soup and give me over a week to get it done because motherfuckers move slow. (rimshot.)
January 5th
Somewhere in here I should mention I am working all of these days at least at different points. And that I might not be labeling these right. . . the fifth was a tuesday, right? Date with Theresa. We like each other more than the date was good, if that makes sense.
January 6th
Planning meeting for re-kicking-off The Crunch. Viva Coffee and posters!
(sub-category: Neil used to hang out with Teenage Fanclub when they were practicing and how vibrant the scene was back then but fuck it because he was just listenting to the Beatles all the time anyway. )
Soooooo. . . yeah. Your point?
Record practice demos for as-of-yet-unnamed-band with Punk John. On a cassette tape in the Uplands there is the base genetic material for "So Much For Aging Gracefully" and "Bedlam." My keyboard sounds like a cross between a musical instrument being played by a retarded rhinosceros and a coffee grinder.
January 7th
Post-work: More date action. Better date action. Perhaps the choice of better bars or a yes! to bridging that awkard gap between her saying "I think this is where someone goes for a really awkward kiss" . . . and going for the really awkward kiss.
Pre-work: two years worth of poety by Shane Guthrie.
January 8th
Work makes me want to get fucked up something fierce.
"But Graham, doesn't work always make you. . ."
Not always. But friday night it did, so me, Adam Burns, Punk John head to Mozarts. John gets called back and Adam and I spend the night giving advice to an emotionally distraught woman (most of it involved violence and/or Adam putting his hands over my ears and saying "Don't you want to have sex with this man??!? I do!")
Adam S. gets off work and we swing by the Jess' house. She is still up. Leave at 5.
Here's where the problem with hanging out with The Guy Who Knows Everyone in Swansea comes in; it's five a.m. and I've achieved my goals for the evening (noble as they are) but walking along Sketty someone leans out their window--
"hey! adam! It's my birthday! come on up!"
And we spend the next two hours with Nate, DJ from Slamonthebreaks and his friend-whose-name-I-forget talking about Art and Swansea's Potential and blah blah blah blah. I want to see 8 a.m. from the other end next time.
January 9th
This day had several false starts and all plans to play more rock and roll were canceled.
Not canceled, however, were the plans to fuck up the mix with Adam S, who looked at me the previous night with sad, sad eyes and said: "I really want to get drunk somewhere. . . that is not Mozarts."
Crowleys, The Office, Sigma. I always think I'm pretty down with Metal until I am in a place that only plays metal and caters to metalheads.
Adam: There are so many people I know here . . . and I don't want to talk to any of them.
January 10th
I, er, miss church. Again.
So. That's the first ten days. Since then I've nearly been lost on the Gower, got the completed poster for The Crunch, soaked in more of The Prisoner, broke glass in Wood Towers and have at least had ideas for things to write next.
Tonight is Framework Social.
Tommorrow is The Crunch.
Viva 2009!
Started the year off watching London Fireworks on TV at Annmarie and Roy's house. Not that impressed with fireworks or TV, so the obvious recourse was a 9/11 joke.
Later Roy and I made pizza and unholy mixtures of fake drinks while I quoted entire Future of the Left songs at passerbys.
The day itself was a long one; 7 1/2 hours of busy busy serving hungover and still-drunks their ham and egg cures. Beautiful.
January 2nd
Jen goes back to the states, leaving hordes of weeping men in her wake. I wave but do not cry because I know I'll see her again. Probably overstayed my welcome and Jess and Johns watching '80s Spiderman cartoons and bad music videos.
In Luv Wit A Stripper, Indeed.
January 3rd
Sat in Monkey and tried to write a poem for the New Year that was more than a few lines long. It's something anyway. Writer's block persists. Milk Money doesn't think my story about comics and sex is weird enough for their "weird issue."
Witnessing slow trickle of Seattlingham friends onto facebookspace in a weird internet-consolidation plan.
January 4th
First official writing commission of '09: Bio for the new Police Teeth record, which comes out in February and kicks ass. They promise to pay enough for a few more cans of soup and give me over a week to get it done because motherfuckers move slow. (rimshot.)
January 5th
Somewhere in here I should mention I am working all of these days at least at different points. And that I might not be labeling these right. . . the fifth was a tuesday, right? Date with Theresa. We like each other more than the date was good, if that makes sense.
January 6th
Planning meeting for re-kicking-off The Crunch. Viva Coffee and posters!
(sub-category: Neil used to hang out with Teenage Fanclub when they were practicing and how vibrant the scene was back then but fuck it because he was just listenting to the Beatles all the time anyway. )
Soooooo. . . yeah. Your point?
Record practice demos for as-of-yet-unnamed-band with Punk John. On a cassette tape in the Uplands there is the base genetic material for "So Much For Aging Gracefully" and "Bedlam." My keyboard sounds like a cross between a musical instrument being played by a retarded rhinosceros and a coffee grinder.
January 7th
Post-work: More date action. Better date action. Perhaps the choice of better bars or a yes! to bridging that awkard gap between her saying "I think this is where someone goes for a really awkward kiss" . . . and going for the really awkward kiss.
Pre-work: two years worth of poety by Shane Guthrie.
January 8th
Work makes me want to get fucked up something fierce.
"But Graham, doesn't work always make you. . ."
Not always. But friday night it did, so me, Adam Burns, Punk John head to Mozarts. John gets called back and Adam and I spend the night giving advice to an emotionally distraught woman (most of it involved violence and/or Adam putting his hands over my ears and saying "Don't you want to have sex with this man??!? I do!")
Adam S. gets off work and we swing by the Jess' house. She is still up. Leave at 5.
Here's where the problem with hanging out with The Guy Who Knows Everyone in Swansea comes in; it's five a.m. and I've achieved my goals for the evening (noble as they are) but walking along Sketty someone leans out their window--
"hey! adam! It's my birthday! come on up!"
And we spend the next two hours with Nate, DJ from Slamonthebreaks and his friend-whose-name-I-forget talking about Art and Swansea's Potential and blah blah blah blah. I want to see 8 a.m. from the other end next time.
January 9th
This day had several false starts and all plans to play more rock and roll were canceled.
Not canceled, however, were the plans to fuck up the mix with Adam S, who looked at me the previous night with sad, sad eyes and said: "I really want to get drunk somewhere. . . that is not Mozarts."
Crowleys, The Office, Sigma. I always think I'm pretty down with Metal until I am in a place that only plays metal and caters to metalheads.
Adam: There are so many people I know here . . . and I don't want to talk to any of them.
January 10th
I, er, miss church. Again.
So. That's the first ten days. Since then I've nearly been lost on the Gower, got the completed poster for The Crunch, soaked in more of The Prisoner, broke glass in Wood Towers and have at least had ideas for things to write next.
Tonight is Framework Social.
Tommorrow is The Crunch.
Viva 2009!
Monday, 12 January 2009
Swansea:
I have met so many girls
who've known you far too long
and whose tired eyes would do
so much better
elsewhere.
This is something we have in common.
who've known you far too long
and whose tired eyes would do
so much better
elsewhere.
This is something we have in common.
Saturday, 27 December 2008
These are the stories you won't tell the kids we never have
"Someone's bound to take offense, but you know, fuck 'em."--Ioan.
I'm pretty sure that could have been the theme of the night for everyone. The whole banner-tearing, sex-pistols singing, couple-swapping, crowd-surfing, public-snogging, tearful-confronting, goth-dancing, shot-taking, hey!-you're 86ed bit of it. And I got to watch.
Me and Punk John are shooting each other knowing looks across a Jess/John living room as crowded as I've ever seen it. Hi, thought I knew you, guess I did, but not as well as I could have.
In other news, apparently I have a thing for girls who still live with their ex-boyfriends with whom they are very good friends.
I'm pretty sure that could have been the theme of the night for everyone. The whole banner-tearing, sex-pistols singing, couple-swapping, crowd-surfing, public-snogging, tearful-confronting, goth-dancing, shot-taking, hey!-you're 86ed bit of it. And I got to watch.
Me and Punk John are shooting each other knowing looks across a Jess/John living room as crowded as I've ever seen it. Hi, thought I knew you, guess I did, but not as well as I could have.
In other news, apparently I have a thing for girls who still live with their ex-boyfriends with whom they are very good friends.
Sunday, 9 March 2008
Interesting turns of phrase and corners
If it had been as sunny a few hours ago on my (short) walk home from church as it is now, with me curled with reading and writing material and just happy to let my windows become magnifying glasses and myself the ant, well, I probably would still be on a long walk.
but. God or the Weather or Caleb the Cloud Formation didn't see it fit, so here I am.
interesting turns: Matt, Jen and Courtney's friend has been in from NC. Every time he says "Chapell Hill" I want to mention Archers of Loaf, but I don't. We do talk about old cartoons and comics. His presence has facilitated a lot more out-on-the-town in one week than I usually, but maybe we made up for it by everyone piling in Jen's room all day watching disney movies.
amidst which a somewhat sudden but quite consistent flirtation with one Susie Wild (actual name) that I suppose started in earnest last friday at an art show/gig in the back of skate-clothes store. so far it's real vague and if I have the situation pegged right, is likely to remain that way. which is fine; count me intrigued but not worried. interesting people are interesting and that's welcome.
plus, she's one of those folks who seems to know everyone around and one of the guys who runs the Elysium Gallery wants me to send him some poems to print in their general-arts newsletter (a mix of news and, yeah, art.) the introduction went something like: "this is John. He's a great artist. This is Graham. He's a great poet. You guys should get along."
of course, these are also the sorts of conversations artists have late at night over belle and sebastian and johnny cash, cheap tequila and expensive cider. grains of salt are often in order
but. God or the Weather or Caleb the Cloud Formation didn't see it fit, so here I am.
interesting turns: Matt, Jen and Courtney's friend has been in from NC. Every time he says "Chapell Hill" I want to mention Archers of Loaf, but I don't. We do talk about old cartoons and comics. His presence has facilitated a lot more out-on-the-town in one week than I usually, but maybe we made up for it by everyone piling in Jen's room all day watching disney movies.
amidst which a somewhat sudden but quite consistent flirtation with one Susie Wild (actual name) that I suppose started in earnest last friday at an art show/gig in the back of skate-clothes store. so far it's real vague and if I have the situation pegged right, is likely to remain that way. which is fine; count me intrigued but not worried. interesting people are interesting and that's welcome.
plus, she's one of those folks who seems to know everyone around and one of the guys who runs the Elysium Gallery wants me to send him some poems to print in their general-arts newsletter (a mix of news and, yeah, art.) the introduction went something like: "this is John. He's a great artist. This is Graham. He's a great poet. You guys should get along."
of course, these are also the sorts of conversations artists have late at night over belle and sebastian and johnny cash, cheap tequila and expensive cider. grains of salt are often in order
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