. . . it should be noted that day 5 did not end at the Rhyddings in a pool of Graham-flavored nostalgia. No, it actually ended with Chris Samia and I at a dinner on St. Alban's road, hosted by our poetry professor and writer-of-many-books Nigel Jenkins and his partner Margot. The food was delicious, conversation both honest and inspiring and the wine was flowing. Oh man, was it flowing.
So it was after that I went to sleep at 1 am, woke up at 4:30am and couldn't get back to sleep. and Day 6 was the day I was to go to Cardiff and meet Anne and Howard Webb. Which I did. And it was nice. I just wish that my primo instinct the whole time hadn't been to find a corner of the pub in Glaedeou y Garth (sp?) and sleep a bit. Then in the backseat of the car and sleep a bit. But saw some amazing views of the area around Cardiff and caught up with Anne, whom it's always good to see. She dropped Howard and I off at City Arms in the 'diff's center, where we talked football (both types) travel (wherever feet may take us) and life in general. I switched between ales and orange juice when it was discovered that City Arms may have all the half-quirky, half-everyguy trappings of a big-city local, but it does not, in fact, serve coffee. In the last hours of our sojourn there, we were joined by Punk John for a round before I trained it back to Swansea.
the train ride was all sleep, and sort of surreal. in my current life context, I am used to waking up at the jostles of the 7, being shoved into a corner when the bus gets too full by an elderly vietnamese man who communicates to me largely with gestures. or the light rail, where the asexual female robot voice informs us "now entering. . . Beacon Hill station."
so to have largely the same in-again, out-again consciousness backgrounded by the landscape I knew well for two years and then disappeared from, the Welsh accents and all-- that was odd.
That evening I had a really nice dinner at Ian and Nessa Folks' house. While in Swansea I didn't go back to my old church (I chose sleep) and I missed seeing people from there whom I'd have liked to. But I was really glad to hang out with the Folks. I won't run down all the conversation topics, because there were many.
Tuesday. Tuesday Tuesday Tuesday. Due to phone-situations (and bad reception) I missed about 8,431 calls (fine, maybe 3)and my morning was spent packing. So it goes.
Dragged luggage to campus. Met for a too-short (not like the rapper) lunch with Wood where we talked music, home life and the time travel murder of millions (okay, maybe a little bit like the rapper.)
Dropped my shit off at Adam/Keiran/Jen's. Adam described his turkey-cooking efforts as "just bastin' away."
Took a quick run to Monkey (downtown) and met Theresa and Pat. Ate cupcakes. Drank coffee. Alun *happened* to be meeting Sophie there later, stopped in and said hi. That was person 3,456 that I didn't know I would see but was glad to (okay, like person 4. ish.)
On my way to the Cricketers I stopped in at Primark. I kind of regret not getting the rad coat for ten pounds, but am happy that a simple shoe-buy didn't turn into a spree.
Annmarie and I drank stella at the cricks. her new BF seems real cool. As does Pat, teez's new dude. All whatevers aside, good for them.
Weesh. My compulsion for play-by-play is wearying me, can't imagine anyone reads this all the way through. Next was Thanksgiving dinner at Adkeirjen's, then a round of drinks at the Bryn Y Mor for Punk John's birthday then various convos and mechanations to stay awake for the 430am taxi to the coach, where we were early, thus facilitating a walk around Tesco in the wee hours, Keiran suggesting various fruit fights.
Jen's sister Laura and I rode the coach together to Heathrow, where the last of the party (for me) disbanded.
the four hours in the airport did a lot to make me glad to actually get on planes and Icelandair's Iceland-centric charm did a lot to make the same three pop songs they played at the beginning and end of my trip a nostalgia-striker.
when I got home I rode the light rail, met Jake at the house, we had a pitcher of Manny's at Lotties and watched some Peep Show. I was back. Am back. Right now Brielle and a friend are making cookies in the kitchen and Jonny and Nat are watching Anime. I should probably take a shower.
Showing posts with label keiran thomas. Show all posts
Showing posts with label keiran thomas. Show all posts
Tuesday, 30 November 2010
Saturday, 20 November 2010
Swansea Day 3
The wedding was great. Never heard the phrase "I'm not really that worried about it" or "yeah, we'll figure it out" so often in any sort of wedding-planning capacity, and I've been privy to some pretty chill weddings.
Anyway, it was fancy dress, which is british for "costumes." I went as Dr. Venture, which involved growing a beard, shaving it to just a chin-beard, getting glasses and a bald wig. I looked more like a bad Star Trek Alien than anything else.
The ceremony was court-held and brief and as best man my primary job was to hand over the rings at the right time. I didn't fuck it up.
People cried, took pictures. It was laid back but didn't feel inappropriately casual. It felt appropriate to interrupt the first dance with a rickroll.. For real.
later, went out with a crew. Liam, one of Swansea's most recognizable characters, has moved to Bristol and on return is talking about how "no one likes him."
Susie:That's not true, Liam. I like you.
Liam: Fuckin' no one likes you either. 's why we get along.
Susie: Hey!
Liam: Oh, fuck off Sooze. You know it's true.
Anyway, it was fancy dress, which is british for "costumes." I went as Dr. Venture, which involved growing a beard, shaving it to just a chin-beard, getting glasses and a bald wig. I looked more like a bad Star Trek Alien than anything else.
The ceremony was court-held and brief and as best man my primary job was to hand over the rings at the right time. I didn't fuck it up.
People cried, took pictures. It was laid back but didn't feel inappropriately casual. It felt appropriate to interrupt the first dance with a rickroll.. For real.
later, went out with a crew. Liam, one of Swansea's most recognizable characters, has moved to Bristol and on return is talking about how "no one likes him."
Susie:That's not true, Liam. I like you.
Liam: Fuckin' no one likes you either. 's why we get along.
Susie: Hey!
Liam: Oh, fuck off Sooze. You know it's true.
Labels:
jen,
keiran thomas,
liam hellwood blues,
rick astley,
swansea
Friday, 19 November 2010
Swansea, days 1 and 2
I am sitting in a bald-cap with the grossest chinbeard in a while, as Jess blow-dries Jen's hair in what has to be the calmest pre-wedding living room ever.
I flew into Reykjavik then London, then coached to Swansea. Punk John joined me in Cardiff and we pulled in behind the Swansea Tesco where a clean-sober Dave Beer drove us to the Brunswick, thereby joining Keiran's in-progress stag do.
"I feel like I'm in Minor Threat."-- Dave, on drinking a coke in a pub.
There were a lot of quotes. lots of "bloody hell, didn't expect to see you." After a while we moved to the Potter's Wheel where Keiran ordered many pitchers of a green cocktail made with Monster. Yeah. I had one. fuck you, jetlag. So the night carried on and after a trip to Vice we finished off at Mozarts where Adam's brother was amused/annoyed at us, but he was getting paid to be there.
Also: Swansea punks still love their John Reis/Rick Folberg. This makes me happy.
_________________________
Yesterday I secured my costume. Wandered the downtown with Keiran. A few places have painted their walls. There's an H & M now. The giant BBC Screen in Castle Square still broadcasts nothingness to no one.
Did my reading at The Crunch. Adam has really gotten into his role as a host, and Wood and Becky's help in organizing is evident. Got to see a lot of people and readers I hadn't in a couple years.
Felt fairly jetgovered, but powered through. The set looked like this:
A Brief Thanks for the Diners
You, In Your Heyday
Paintings of Famous Satanists
Explorer
Zombies and Paint Thinner
When Saying Mean Things About Strangers
Tunnels
Extra Wide Bathtubs
Rules for Riding the King County Metro
____encore__
Ambition is Critical
Story Problem
basically, overwhelmed by love and support. mainly new stuff, which I'm feeling more and more confident in both as text and performance.
soon I'll be standing by Keiran's side at possibly the casualest wedding ever, best man dressed as a mad scientist from a cartoon we watched so many hours of.
I flew into Reykjavik then London, then coached to Swansea. Punk John joined me in Cardiff and we pulled in behind the Swansea Tesco where a clean-sober Dave Beer drove us to the Brunswick, thereby joining Keiran's in-progress stag do.
"I feel like I'm in Minor Threat."-- Dave, on drinking a coke in a pub.
There were a lot of quotes. lots of "bloody hell, didn't expect to see you." After a while we moved to the Potter's Wheel where Keiran ordered many pitchers of a green cocktail made with Monster. Yeah. I had one. fuck you, jetlag. So the night carried on and after a trip to Vice we finished off at Mozarts where Adam's brother was amused/annoyed at us, but he was getting paid to be there.
Also: Swansea punks still love their John Reis/Rick Folberg. This makes me happy.
_________________________
Yesterday I secured my costume. Wandered the downtown with Keiran. A few places have painted their walls. There's an H & M now. The giant BBC Screen in Castle Square still broadcasts nothingness to no one.
Did my reading at The Crunch. Adam has really gotten into his role as a host, and Wood and Becky's help in organizing is evident. Got to see a lot of people and readers I hadn't in a couple years.
Felt fairly jetgovered, but powered through. The set looked like this:
A Brief Thanks for the Diners
You, In Your Heyday
Paintings of Famous Satanists
Explorer
Zombies and Paint Thinner
When Saying Mean Things About Strangers
Tunnels
Extra Wide Bathtubs
Rules for Riding the King County Metro
____encore__
Ambition is Critical
Story Problem
basically, overwhelmed by love and support. mainly new stuff, which I'm feeling more and more confident in both as text and performance.
soon I'll be standing by Keiran's side at possibly the casualest wedding ever, best man dressed as a mad scientist from a cartoon we watched so many hours of.
Thursday, 21 May 2009
"give me something to stop the blee-ding."
I am staring out into Swansea bay and listening to the Jesus Lizard sing ostensibly not-about-tampons, but who knows.
Jen: You're allowed to be a mess sometimes.
Keiran: . . . yeah, you're a twenty-something poet who works in a bad pub. You should get an award just for not being on fire.
sigh. still.
Jen: You're allowed to be a mess sometimes.
Keiran: . . . yeah, you're a twenty-something poet who works in a bad pub. You should get an award just for not being on fire.
sigh. still.
Labels:
hangover helper,
jen,
keiran thomas,
not being judged
Friday, 20 February 2009
It's a song that just makes you want to travel
Wednesday I got paid. My policy on getting paid is that even if you have gotten far less money that you hoped/needed (which was certainly the case this time around) you should still allow yourself some fun. Because if you can't waste a bit of money the day/weekend you got paid. . . well shit, son.
So I went home and stashed most of my wages (paid in cash) where I always do and left the house with twenty pounds. The leaving-with-only-what-you're-willing-to-spend policy is also helpful in keeping things on the "oh, I shouldn't have bought that CD/last beer/t-shirt" range as opposed to "Shit>.!! I just spent everything i own and some of what I don't on dogfights, cocaine and women of the night."
Headed to Coyote for a punk gig. Coyote is about the size of someone's living room, so the music doesn't have to be great, just genuine. As it was, I saw Exeter band The Dead City Stereo who I keep ending up seeing on accident; I'm starting to recognise their songs. I don't go to many gigs at all, so the fact that there's a band (from out of town, no less) I've seen more than twice surprises me.
I also remember when that was my life.
At the gig I met up with Dave Beer and his Newport buddy Stubbs and we headed down to Mozarts for their first ever Open Decks Night. That's right. Show up with music, the in-house DJ shows you the ropes and you get 20-30 minutes to play whatever you want.
No one was there. Which was ideal, really. The Punks (john&jess) showed up and Keiran (who had his best buddy from back in the day visiting. It was mainly us and the staff, so I ended up getting to spin for an hour. Thing is, Rick had just played a pretty great set of proto-punk and leather-coated indie (Sonics, Brian Jonestown, The Only Ones) and Gemma went before me with a consistently bang-on set of '60s soul and r 'n' b. I knew I couldn't compete on that level of single-minded focus.
so what to do?
The answer (as is often the case in matters of life, death, taste or religion) lies with Steve Albini and The End of Radio. (see video above.) I believe the song to be one of the great combinations of music, lyrics and ideas of the last five years. . . that, however doesn't make it traditionally melodic, atmospheric or less than nine minutes long.
The beauty of leading with something like that is you can pretty much do anything you want after it.
This had a drunk-off-Stella-and-Tuborg Dave Beer jumping around and shouting HIT THE NOOORTH! into the faces of anyone there. There were a few people there by then and I just ended up playing a fairly trad-Graham set; some "anything by Ladytron" for Keiran, TV on the Radio and so on, closing with McLusky's "To Hell With good Intentions." Which i'm not posting here because if you know me, you've probably heard it. Enjoy some synth pop and Welsh instrumental maths, though.
This segued nicely into the next set, which was Hollie playing a mix of classic rock song and bands that sound like The Bronx.
"This is a total abortion of taste."-- Keiran, on the aforementioned set, possibly during a track by Boston.
So. From one abortion of taste to another, Adam, Keiran and Ian and I went and got Curry. At 2 a.m., when eating more always sounds like a good idea. The problem is, while nominally better for you than the dreaded Kebab, Curry is even worse the next day. It sits inside you and seeps through your skin; even the act of showering feels like you're wallowing in your own filth. The day after a post-midnight curry one genuinely feels like while there may be fleeting joys in life, nothing will ever be clean or whole again, for the rest of your life.
Which isn't necessarily how you want to feel getting up at 9:30 and rushing to the station to meet your girlfriend to catch a train to Cardiff.
So I went home and stashed most of my wages (paid in cash) where I always do and left the house with twenty pounds. The leaving-with-only-what-you're-willing-to-spend policy is also helpful in keeping things on the "oh, I shouldn't have bought that CD/last beer/t-shirt" range as opposed to "Shit>.!! I just spent everything i own and some of what I don't on dogfights, cocaine and women of the night."
Headed to Coyote for a punk gig. Coyote is about the size of someone's living room, so the music doesn't have to be great, just genuine. As it was, I saw Exeter band The Dead City Stereo who I keep ending up seeing on accident; I'm starting to recognise their songs. I don't go to many gigs at all, so the fact that there's a band (from out of town, no less) I've seen more than twice surprises me.
I also remember when that was my life.
At the gig I met up with Dave Beer and his Newport buddy Stubbs and we headed down to Mozarts for their first ever Open Decks Night. That's right. Show up with music, the in-house DJ shows you the ropes and you get 20-30 minutes to play whatever you want.
No one was there. Which was ideal, really. The Punks (john&jess) showed up and Keiran (who had his best buddy from back in the day visiting. It was mainly us and the staff, so I ended up getting to spin for an hour. Thing is, Rick had just played a pretty great set of proto-punk and leather-coated indie (Sonics, Brian Jonestown, The Only Ones) and Gemma went before me with a consistently bang-on set of '60s soul and r 'n' b. I knew I couldn't compete on that level of single-minded focus.
so what to do?
The answer (as is often the case in matters of life, death, taste or religion) lies with Steve Albini and The End of Radio. (see video above.) I believe the song to be one of the great combinations of music, lyrics and ideas of the last five years. . . that, however doesn't make it traditionally melodic, atmospheric or less than nine minutes long.
The beauty of leading with something like that is you can pretty much do anything you want after it.
This had a drunk-off-Stella-and-Tuborg Dave Beer jumping around and shouting HIT THE NOOORTH! into the faces of anyone there. There were a few people there by then and I just ended up playing a fairly trad-Graham set; some "anything by Ladytron" for Keiran, TV on the Radio and so on, closing with McLusky's "To Hell With good Intentions." Which i'm not posting here because if you know me, you've probably heard it. Enjoy some synth pop and Welsh instrumental maths, though.
This segued nicely into the next set, which was Hollie playing a mix of classic rock song and bands that sound like The Bronx.
"This is a total abortion of taste."-- Keiran, on the aforementioned set, possibly during a track by Boston.
So. From one abortion of taste to another, Adam, Keiran and Ian and I went and got Curry. At 2 a.m., when eating more always sounds like a good idea. The problem is, while nominally better for you than the dreaded Kebab, Curry is even worse the next day. It sits inside you and seeps through your skin; even the act of showering feels like you're wallowing in your own filth. The day after a post-midnight curry one genuinely feels like while there may be fleeting joys in life, nothing will ever be clean or whole again, for the rest of your life.
Which isn't necessarily how you want to feel getting up at 9:30 and rushing to the station to meet your girlfriend to catch a train to Cardiff.
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