. . . it should be noted that day 5 did not end at the Rhyddings in a pool of Graham-flavored nostalgia. No, it actually ended with Chris Samia and I at a dinner on St. Alban's road, hosted by our poetry professor and writer-of-many-books Nigel Jenkins and his partner Margot. The food was delicious, conversation both honest and inspiring and the wine was flowing. Oh man, was it flowing.
So it was after that I went to sleep at 1 am, woke up at 4:30am and couldn't get back to sleep. and Day 6 was the day I was to go to Cardiff and meet Anne and Howard Webb. Which I did. And it was nice. I just wish that my primo instinct the whole time hadn't been to find a corner of the pub in Glaedeou y Garth (sp?) and sleep a bit. Then in the backseat of the car and sleep a bit. But saw some amazing views of the area around Cardiff and caught up with Anne, whom it's always good to see. She dropped Howard and I off at City Arms in the 'diff's center, where we talked football (both types) travel (wherever feet may take us) and life in general. I switched between ales and orange juice when it was discovered that City Arms may have all the half-quirky, half-everyguy trappings of a big-city local, but it does not, in fact, serve coffee. In the last hours of our sojourn there, we were joined by Punk John for a round before I trained it back to Swansea.
the train ride was all sleep, and sort of surreal. in my current life context, I am used to waking up at the jostles of the 7, being shoved into a corner when the bus gets too full by an elderly vietnamese man who communicates to me largely with gestures. or the light rail, where the asexual female robot voice informs us "now entering. . . Beacon Hill station."
so to have largely the same in-again, out-again consciousness backgrounded by the landscape I knew well for two years and then disappeared from, the Welsh accents and all-- that was odd.
That evening I had a really nice dinner at Ian and Nessa Folks' house. While in Swansea I didn't go back to my old church (I chose sleep) and I missed seeing people from there whom I'd have liked to. But I was really glad to hang out with the Folks. I won't run down all the conversation topics, because there were many.
Tuesday. Tuesday Tuesday Tuesday. Due to phone-situations (and bad reception) I missed about 8,431 calls (fine, maybe 3)and my morning was spent packing. So it goes.
Dragged luggage to campus. Met for a too-short (not like the rapper) lunch with Wood where we talked music, home life and the time travel murder of millions (okay, maybe a little bit like the rapper.)
Dropped my shit off at Adam/Keiran/Jen's. Adam described his turkey-cooking efforts as "just bastin' away."
Took a quick run to Monkey (downtown) and met Theresa and Pat. Ate cupcakes. Drank coffee. Alun *happened* to be meeting Sophie there later, stopped in and said hi. That was person 3,456 that I didn't know I would see but was glad to (okay, like person 4. ish.)
On my way to the Cricketers I stopped in at Primark. I kind of regret not getting the rad coat for ten pounds, but am happy that a simple shoe-buy didn't turn into a spree.
Annmarie and I drank stella at the cricks. her new BF seems real cool. As does Pat, teez's new dude. All whatevers aside, good for them.
Weesh. My compulsion for play-by-play is wearying me, can't imagine anyone reads this all the way through. Next was Thanksgiving dinner at Adkeirjen's, then a round of drinks at the Bryn Y Mor for Punk John's birthday then various convos and mechanations to stay awake for the 430am taxi to the coach, where we were early, thus facilitating a walk around Tesco in the wee hours, Keiran suggesting various fruit fights.
Jen's sister Laura and I rode the coach together to Heathrow, where the last of the party (for me) disbanded.
the four hours in the airport did a lot to make me glad to actually get on planes and Icelandair's Iceland-centric charm did a lot to make the same three pop songs they played at the beginning and end of my trip a nostalgia-striker.
when I got home I rode the light rail, met Jake at the house, we had a pitcher of Manny's at Lotties and watched some Peep Show. I was back. Am back. Right now Brielle and a friend are making cookies in the kitchen and Jonny and Nat are watching Anime. I should probably take a shower.
Showing posts with label punk john. Show all posts
Showing posts with label punk john. Show all posts
Tuesday, 30 November 2010
Monday, 8 November 2010
Napowrimo continues as I split time. . .
. . . between new stuff and edits. Witness.
Sitting at Goth Night with Punk John
In a tin can with blacked-off windows, raccoon-eyed girls dance,
backs of hands-to foreheads. the music distorts with volume.
boys from the role-player's club lead each other around
on leashes. The next track, from an '80s movie about
Doomed Teenage Love, gets spliced under with a steady industrial thud.
We share an eye-roll.
Where some trot out the old
"they think they're soooo different . . .”
and less patient friends threaten to chuck a chair
into the crowded dancefloor, we just grin.
In this-- like nightslugging 12-ers of John Smiths up the hill,
Replacements-soundtracked chili-feeds-- there is comraderie.
"You know, if you're a math whiz from the valleys
this might be the most punk rock thing you can do."
Eventually, and against most bets, we dance.
Maybe a cut we both know. Maybe a girlfriend-pacifying measure.
Maybe
maybe a whole-table migration, a sudden swirl of energy, or
perhhaps simply non-involvement fatigue.
In this-- like the room itself--
there is community.
_______________________________
A Brief Thanks For The Diners that Understand
The world today is an old fisherman's cringing face.
This entire district is so hungover they can feel it
in their shoulders and knees are a challenge.
On the kinsey scale of practical worthlessness
I am at least a 7.
It is with this in mind that the lights are low,
even over breakfast burritos. The waiter also has
deep grey bags under his eyes but moves with calm
precision, is reassuringly rugged but not threateningly
handsome and everyone manages a wan smile.
Let the fog take downtown and emergencies crack
the last ditch efforts of men in important buildings.
I will take this corner booth
for as long as it will have me
in another little victory.
Sitting at Goth Night with Punk John
In a tin can with blacked-off windows, raccoon-eyed girls dance,
backs of hands-to foreheads. the music distorts with volume.
boys from the role-player's club lead each other around
on leashes. The next track, from an '80s movie about
Doomed Teenage Love, gets spliced under with a steady industrial thud.
We share an eye-roll.
Where some trot out the old
"they think they're soooo different . . .”
and less patient friends threaten to chuck a chair
into the crowded dancefloor, we just grin.
In this-- like nightslugging 12-ers of John Smiths up the hill,
Replacements-soundtracked chili-feeds-- there is comraderie.
"You know, if you're a math whiz from the valleys
this might be the most punk rock thing you can do."
Eventually, and against most bets, we dance.
Maybe a cut we both know. Maybe a girlfriend-pacifying measure.
Maybe
maybe a whole-table migration, a sudden swirl of energy, or
perhhaps simply non-involvement fatigue.
In this-- like the room itself--
there is community.
_______________________________
A Brief Thanks For The Diners that Understand
The world today is an old fisherman's cringing face.
This entire district is so hungover they can feel it
in their shoulders and knees are a challenge.
On the kinsey scale of practical worthlessness
I am at least a 7.
It is with this in mind that the lights are low,
even over breakfast burritos. The waiter also has
deep grey bags under his eyes but moves with calm
precision, is reassuringly rugged but not threateningly
handsome and everyone manages a wan smile.
Let the fog take downtown and emergencies crack
the last ditch efforts of men in important buildings.
I will take this corner booth
for as long as it will have me
in another little victory.
Saturday, 13 February 2010
Rainier and Wedding Music (rough.)
It was their first dance and everybody cried. Everyone. Really.
The room was all champaigne and candles and aftershave and
a circle in the middle where one of the handful of couples I’ve
ever seen that no one had reservations about slow-stepped
into eachother and began the waltz. Perfect wedding eye-contact.
not a dry eye.
Writing alone and in public is an invitation. For interruption,
unwantedconversation. At the bar at a place that’s fast becoming
a “haunt” I liveunswayed by schedule or finances, get another.
I’ve not been writing long, they aren’t busy and this is a thought
to finish. Plus, I haven’t been interrupted yet.
I’ve been involved in executing—at some level—a fair
number of Weddings. Dj, best man, usher, something.
Ritual is important but always better when the Bride and
Groom are Having Fun Up There. The nervous pre-vow clap.
The blush-and-giggle. The spontaneous high-five.
Good food at the reception, if not an open bar.
The bartender isn’t interested that his music choice
triggered these memories, or what I’m writing, or that
I write, or if he is, that’s the wrong assumption to make.
Still, bringing it up is part of the ritual. I have still
avoided interruption, but take thoughtful pauses as I consider more.
Rainier is not a slow sipper.
What makes a great wedding song? Believability. That
the couple has reached into what they think of love
and pulled something out together, both rare and welcome.
That if they can find the right song, perhaps they
just might be ready for anything.
These are unexpected thoughts, ponderances, not plans.
I’ve long stopped making assumptions. Things I work out on paper
but never read as I ease into new haunts. Bartender wipes the
counter down with the absent vigor of one who’s been at this for years.
I lift my glass in deference without even thinking.
________________________________________________________________________________-
this is a few drafts away from anywhere close to "finished" or "let's read this out somewhere" so I'm welcoming comment.
The room was all champaigne and candles and aftershave and
a circle in the middle where one of the handful of couples I’ve
ever seen that no one had reservations about slow-stepped
into eachother and began the waltz. Perfect wedding eye-contact.
not a dry eye.
Writing alone and in public is an invitation. For interruption,
unwantedconversation. At the bar at a place that’s fast becoming
a “haunt” I liveunswayed by schedule or finances, get another.
I’ve not been writing long, they aren’t busy and this is a thought
to finish. Plus, I haven’t been interrupted yet.
I’ve been involved in executing—at some level—a fair
number of Weddings. Dj, best man, usher, something.
Ritual is important but always better when the Bride and
Groom are Having Fun Up There. The nervous pre-vow clap.
The blush-and-giggle. The spontaneous high-five.
Good food at the reception, if not an open bar.
The bartender isn’t interested that his music choice
triggered these memories, or what I’m writing, or that
I write, or if he is, that’s the wrong assumption to make.
Still, bringing it up is part of the ritual. I have still
avoided interruption, but take thoughtful pauses as I consider more.
Rainier is not a slow sipper.
What makes a great wedding song? Believability. That
the couple has reached into what they think of love
and pulled something out together, both rare and welcome.
That if they can find the right song, perhaps they
just might be ready for anything.
These are unexpected thoughts, ponderances, not plans.
I’ve long stopped making assumptions. Things I work out on paper
but never read as I ease into new haunts. Bartender wipes the
counter down with the absent vigor of one who’s been at this for years.
I lift my glass in deference without even thinking.
________________________________________________________________________________-
this is a few drafts away from anywhere close to "finished" or "let's read this out somewhere" so I'm welcoming comment.
Labels:
bad beer,
bimbos,
I'm gonna dj,
nick cave,
poems,
punk jess p j,
punk john
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