Tonight I'm reading an article rather than poetry. It has been a long time since I read an article, aloud, to people. Maybe even a first?
Later, as in, December 12th, I'll be reading at Honeymoon, in Bellingham, with Marissa Dimmick. Still later, the 15th of December, I'll be performing somewhere in Greenwood at an unnamed venue with unnamed makers of beats and noise, for an unnamed event. Its that new.
Wednesday, 13 November 2013
Thursday, 7 November 2013
And the hopeful predictions ending with a "womp WOMP"
Well, she didn't win. Most of the things I was hoping to pass failed, but some of the things I dreaded passing also failed, and plucky little do-gooder Mike O'Brien retains his seat on the city council, despite Seattle Times' declaration that he was "too liberal" for the city. Anyway, was bummed yesterday and Tuesday, took half a sec to scroll through my semi-active Facebook, and after about forty minutes of rant-reading, have taken to looking forward. Murray is mayor, Conlin at least had to sweat for his seat, this is the reality, it is still rainy, I still have a job I don't hate, and I've just completed a move to as close to the middle of the city as I can afford. This is day two of typing from Cafe Vita Pioneer Square, which may easily become a second living room, for as long as I'm netless in my studio.
Monday, 4 November 2013
If she wins, I hope she just drops the mic and walks away.
I sat outside Rudy's barbershop and filled out my King County/City of Seattle ballot. I had a hard time mustering too much enthusiasm for many of the issues at hand, but did fill out the ballot (yes to food labeling, don't see what's so hard about that, no to anything that smacks of Eyman's NIMBY, aristocraticonservatism) and as informed of votes as possible regarding the specific candidates who'll be leading this pretty-good to greatish city into the future.
For mayor, I went with Mike McGinn. Sort of a devil-you-know approach, I suppose, as I was not impressed with his handling of Seattle's well-documented culture of police brutality. When the Feds tell you "yeah, you guys are too racist and violent," that's a fucking problem, and McGinn didn't seem to know what to do with it. That said, his opponent, Ed Murray, seems to be of the "OH MY GOSH THIS CITY IS SO DANGEROUS WE NEED TO HIRE MORE COPS ALL THE TIME .. . . but ah, no, they won't be the racist type. Trust me."
Frankly, one thing I'd like to see done on this issue (as a first, and not only) step would be to require that police officers who work in, and for, the City of Seattle, actually live there.
Or within a very close radius.
Plus, McGinn is really strong on issues like Transit, which is pretty close to my heart/ability to live and work in town.
Or within a very close radius.
Plus, McGinn is really strong on issues like Transit, which is pretty close to my heart/ability to live and work in town.
The other interesting thing to watch has been how the Seattle Times has been outright campaigning for Murray; reason alone to distrust him. ST is as close to a republican rag as you can get in Seattle, and as it tends to service the greater Puget Sound area (you can get it as far north as Bellingham, no problem) it also caters quite a bit to Eastside interests and concerns. Which are not, in and of themselves evil, or wrong, but Bellevue is not Seattle. It has spent the last sixty years trying to play an image of both Northwest-hominess and incredible opulence. In the last twenty, it's asserted itself as a business center and constructed Washington State's second densest skyline (I think; Tacoma may give it a run), creating the sense of a City without the culture, vibrancy, or diversity*, and as such, shouldn't try to influence what Seattle does or wants. So the fact that Murray sometimes acts like he's running for the Mayor of Seattle Met, Meet Me in Kirkland For Martinis Later doesn't sit well with me.**
Also, I voted for Kshama Sawant. I'm not a socialist in any sort of large-scale way*** but we need a real lefty on the council. Someone who'll advocate for the poor and the working to big businesses, not the other way around. Someone who'll advocate for affordable housing in the quickest-rising rent (disproportionate to income, btw) in the nation. If she gets elected, will she be able to push all her talking points through? No. No one ever does. But I'm pretty stoked that I get to vote for a candidate I believe actually gives a shit about anyone making under $80,000 a year.
*This is changing. Bellevue in 2013 is different than it was, and it will continue to change, both due to abstract, inevitable forces of growth, and also because recently the Bellevue city council has been shaking the grip of some of it's most backwards-asshole influences.
** Ed Murray, if polls are to be believed, will probably win. I do not believe he'd be the unmitigated disaster that Bruce Harrell or Tim Burgess or Peter Steinbrueck would have, but I'd still have a bit of an "ugh."
***Though by any red-state standards, I'd probably be considered a Maoist. I think in the American Debate we've gone far enough to the right as of late that I'd like to see more unabashed Socialists coming out to pull this country's head out of its ass, and that can happen on a city level as well.
Labels:
2013,
bellevue,
kshama sawant,
mike mcginn,
seattle,
this is not a political blog
Tuesday, 29 October 2013
Forward/Backward.
So Shane Guthrie first appeared in my life when I was about 15, he a couple years older, as part of a teen writer's group. The first thing I heard of his was a poem that scanned both backwards. He had pieces that proposed a viewpoint one way, and an opposite viewpoint the other (Christian/Atheist being my favorite, natch). For the Filthy Jerry kickstarter, he demanded a forward/backwards piece from me. It's taken me this long to write it, with some false starts and scrapped efforts (I decided it didn't need to present opposing viewpoints, but should attempt some sort of sense) and I do some fiddling with the punctuation from one version to the next. But this is the first piece of this type I've completed.
Tasty! (maybe inspired by politics. Or not.)
Tasty! (maybe inspired by politics. Or not.)
Saintly ,again, disappearing into water.
Turning expectations, repasting billboards
All good deeds, all charity drives, all blessed returns.
Saintly, again, rewritten histories.
Bodies, bulldozers, cremations, buyoffs.
Pitchshifted. Rebeats. Chopped, screwed.
Again, Saintliness as moving goalposts.
Stories fit headlines. Splashed page full.
Halos glowing shinier, for flashbulbs.
Searching, a finished writeup, new review.
Again, bowing. Saved great act for last.
_____--____
Last for act. Great. Saved, bowing again.
Review new writeup, finished a searching.
Flashbulbs for shinier glowing halos.
Full page splashed headlines fit stories.
Goalposts moving as Saintliness, again,
Screwed, chopped. Rebeats. Pitchshifted.
Buyoffs, cremations, bulldozers, bodies.
Histories rewritten again, Saintly.
Returns blessed all, drives charity all, deeds good all
Billboards repasting expectations, turning
Water into disappearing again, Saintly.
Labels:
forward backward,
poetry,
project updates,
shane guthrie,
writing
Saturday, 26 October 2013
When Whiskey Becomes Coffee--
or Five Useful Responses For The Navigation of Smallish Talk, a Follow Up.
When dealing with the sort of every day interactions I outlined in the last post, there are options. Say you don't want to stonewall someone, but because of circumstances, it's not appropriate or feasible to really get into it at the time (you're at work, they're at work, you're late for something, etc) there are still ways to avoid the bland sameness of "fineness." Here are five responses to the "how are you/what's new" querie that tend to kickstart a friendly banter, let people know you like and appreciate their presence, without rabbit trailing too much.
1) "Well, I'm on the right side of the ground. Everything else is gravy!" Grabbed this from crusty old dudes at the bar. It works better delivered by crusty old dudes, but even saying it as a half-joke has a weird way of re-enforcing a wider perspective.
2) "Kickin' ass and takin' names." This seems like a joke, but depending where you put the goalposts, this can always be true. Perhaps the kicking ass was winning the Lottery and the names you took were those who high-fived you afterwards. Or maybe it was getting out of bed and making coffee.
3) "Livin' the dream, man, livin' the dream." No matter who you're speaking to, it is always appropriate to refer to them as "man" when one is living the dream.
4) "Well, I'm at work, so you know. But, I have a job, so, hey." This is obviously most effective when you're actually at work.
5) "My family just died in a fire and I had to watch the Arsonists laughing eyes as I helplessly struggled against the flames. Nightly I hear his ruthless cackling and all around me seems confirmation that John Calvin was right; and endless hell of predestined torture awaits us all, and I am only futiley counting down the hours until the Bat King flies off with my soul into is torment-cave. But there's a new Italian place down the way and I hear they have a good happy hour. We should check it out."
Universal.
Thursday, 24 October 2013
When Coffee Becomes Whiskey
and emotional entitlement in the name of sincerity.
There's a disturbing upward trend in the amount of espresso needed to be enthused about things. Function I can do just fine, but in work and relationships and finding new places to live and responding to the question "what's new?" ("increased hair loss!") there's a certain amount of enthusiasm that's wanted by the askers. Not just an "I'm-so-excited" sort of enthusiasm, but the more specific, emotionally subdued, but still intense sincerity of an answer. The sort of convincing that can deflect the follow up "are you REALLY fine" question, usually from old friends or people at the bar who especially pride themselves on being genuine and not phony.
and yes, sometimes you need a person to shake you out of auto-response, but the whole "people never say what they mean when you ask them how they are" meme, one passed down from generation to generation of sincere, artistic, caring people (who are just searching for SOME sort of human connection in this increasingly disconnected yar blargh ermpha hrmpha) fails to recognize a few basic things:
One is that sometimes people are actually fine. Not great, not awful, not particularly qualifiable, just, you know, alright. No one's died, no one's got a raise, the level of laid-getting remains steady as what it has been, the movie was decent.
Another is that if you are my friend and you trust me, after the first "wait, really? because you look sorta. . ." (which yes, annoying questions are a basic tenant of friendship) then respect the fact that, at the very least, I don't want to talk about it. And just as likely, I am telling the truth. If you think I am constantly lying about my emotional state at all times, then you have shitty taste in friends.
Aaannnnnnnnnnd, if you're a stranger, keep in mind that while every now and then an honest "you know, I've had a shitty day" is refreshing, you really want me to be fine. Or at least you don't want me to be all "Yeah, I'm not having a good day, but unless you're about to cut me a check for 200,000 and give me a full deep-tissue massage, there's not a goddamn thing you can do about it, kiddo."
It is important when dispatching ostensibly well meaning strangers that you call them "kiddo," especially if they're old and fought in a war.
All this relevants to the in-between-strangers-and-friends relationships that occur around moving, as I'm about to go do some paperwork on a spot I want to move into, and all the attendant lite schmooze that requires, and after four shots of espresso and an egg fried with spinach onto flattened bread, all I really want to do is take a swing.
There's a disturbing upward trend in the amount of espresso needed to be enthused about things. Function I can do just fine, but in work and relationships and finding new places to live and responding to the question "what's new?" ("increased hair loss!") there's a certain amount of enthusiasm that's wanted by the askers. Not just an "I'm-so-excited" sort of enthusiasm, but the more specific, emotionally subdued, but still intense sincerity of an answer. The sort of convincing that can deflect the follow up "are you REALLY fine" question, usually from old friends or people at the bar who especially pride themselves on being genuine and not phony.
and yes, sometimes you need a person to shake you out of auto-response, but the whole "people never say what they mean when you ask them how they are" meme, one passed down from generation to generation of sincere, artistic, caring people (who are just searching for SOME sort of human connection in this increasingly disconnected yar blargh ermpha hrmpha) fails to recognize a few basic things:
One is that sometimes people are actually fine. Not great, not awful, not particularly qualifiable, just, you know, alright. No one's died, no one's got a raise, the level of laid-getting remains steady as what it has been, the movie was decent.
Another is that if you are my friend and you trust me, after the first "wait, really? because you look sorta. . ." (which yes, annoying questions are a basic tenant of friendship) then respect the fact that, at the very least, I don't want to talk about it. And just as likely, I am telling the truth. If you think I am constantly lying about my emotional state at all times, then you have shitty taste in friends.
Aaannnnnnnnnnd, if you're a stranger, keep in mind that while every now and then an honest "you know, I've had a shitty day" is refreshing, you really want me to be fine. Or at least you don't want me to be all "Yeah, I'm not having a good day, but unless you're about to cut me a check for 200,000 and give me a full deep-tissue massage, there's not a goddamn thing you can do about it, kiddo."
It is important when dispatching ostensibly well meaning strangers that you call them "kiddo," especially if they're old and fought in a war.
All this relevants to the in-between-strangers-and-friends relationships that occur around moving, as I'm about to go do some paperwork on a spot I want to move into, and all the attendant lite schmooze that requires, and after four shots of espresso and an egg fried with spinach onto flattened bread, all I really want to do is take a swing.
Sunday, 13 October 2013
The Handover of former ventures
Is fully documented here, in an interview by Tom Mohrman at Wonder and Risk, where he talked at length with myself and Robert Kaye about life, poetry, evil, power, literature, and biscuits.
Labels:
interviewed,
links,
robert kaye,
tom mohrman,
wonder and risk,
works in progress
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